The Conductor

Jane Money

Born in Portsmouth, Jane studied singing from an early age and received some of her most influential choral training in the Portsmouth Festival Choir, then under the direction of John Eliot Gardiner. A Choral Scholarship took her to Royal Holloway College, University of London, from where she graduated with a BMus Honours degree, and she was then appointed Director of Music at the Marist Convent School, London. Further awards enabled her to continue her vocal studies as a post-graduate at the Royal Northern College of Music and subsequently with Sylvia Jacobs.

Jane has worked with many of the world's leading conductors, including Simon Rattle, Bernard Haitink and Andrew Davis. She has sung regularly for Glyndebourne Festival and Touring Operas, with performances including a well-reviewed Madame Larina in Graham Vick's highly acclaimed production of Eugene Onegin. She has also sung with Kentish Opera, Opera South East and Dublin Grand Opera, and toured with the Earls Court arena production of Carmen to Japan, Switzerland and Germany.

She is much in demand on the concert platform, with solo engagements taking her over much of Britain and Europe. Her extensive oratorio repertoire encompasses Handel, Verdi and Tippett, and she recently made her American debut in a concert of Vivaldi and Bach. Jane has accepted several invitations to sing at the Queen's private chapel in Windsor Great Park, and she took part in a special Morning Service there in the presence of the Royal Family to celebrate the late Queen Mother's 100th birthday.

Recordings include the mezzo-soprano role in the premiere performance of Michael Finnissy's This Church, directed by the composer himself.

Jane now divides her "musical" time between singing, examining for the Associated Board of the Royal Schools of Music, teaching and choral conducting.






































Tim Nail

Assistant director and accompanist.

Tim Nail studied Music at Glasgow University before taking the post-graduate Music Therapy Course at the Guildhall School of Music & Drama.

He has lived in Brighton since 1987 and works as a Music Therapist, repetiteur, accompanist and piano teacher. He also enjoys composing.

His Mass was recently premiered in Brighton and we hope to commission him to write a piece for the Brighton Chamber Choir's 20th anniversary to be performed in November 2010. Tim studies piano with Tony Purkiss.

 

A word from the Conductor...

This last year has seen the choir go from strength to strength and highlighted its versatility covering, as we have, a capella works such as the sublime Victoria "Missa O Quam Gloriosum", at the other end of the spectrum, Britten's "Flower Songs", as well as the beautiful accompanied works in our German programme last spring, where the talents of Tim Nail, our pianist, were wonderfully exploited.

Our performance of Handel's "Zadok the Priest" and his stunning "Dixit Dominus", complete with string orchestra, ended our season. The queue for tickets which greeted me as I returned to the church some 15 mins before this last concert made me feel we were really on the map. It was only a couple of years ago that eminent local musician, Muriel Hart, described us as "Brighton's best kept secret"; clearly the secret is now out of the bag!

Next year sees us celebrating our 20th anniversary in great style. J.S. Bach's B Minor Mass is a particularly exciting prospect and people concerned that we might be losing our chamber choir identity by approaching this Mass need only listen to the recording made by "The Sixteen" to appreciate the clarity smaller forces can bring to this magnificent work.

My thanks to the choir and also all its loyal supporters who have shown such appreciation for all our hard work. It has been a great pleasure to welcome you to our concerts and we look forward to celebrating our 20th birthday with you!"

Jane Money